Smithfield

And she cannot look at me for long. She cried four times. Not for us.
Because the hallway had been painted grey, because she had a cold, because she missed a long dead pet.
Because I would not look away?
She does not know how to say that she cares.
My mother, she cannot look at me.

Her face brightened when she told me I resemble my sister with my hair cut short.
She sent an email, she talked about her holidays,
she doesn’t care to hear more than the highlights of my time away.
Though I have plucked out every thorn from the thicket of misery that swaddled me
alone.
Salted wounds through storms of a former self I had to learn not to loathe
so I might find love and contentment.
Still, my mother cannot look at me.

And in the cafe where there is no t.v. a mobile phone screen will have to suffice.
Two decades of suffering and vice and here I am waiting for a moment where she will take me by the hand
see my iris swell and say ‘how are you love, is everything ok?’.

I will be kept waiting.

In a queue to buy an apple an hour after goodbyes, I feel the familiar crack in my chest and I spiral into a black hole. My breath doesn’t believe me that there is air in this basement and I have the feeling that I am buried in bricks.
That I am walled in the grey hallway. A miserable inconvenience, a frustrating mistake. A dead space, something to get past.
Then though, I might at least be something to cry about.

Deirín

Along the granite shore the bulls rush
at the beckon of a breeze
while hollered out of hiding are the brackish geese,
striding through skies cast with the sulk
of the ever fickle Atlantic slip.
The skirts of a femme-fatale,
mesmeric yet melancholic.
Outdone only by the tragedy of Lír
in the shatter of swans from
the looking-glass lake.

Odd shod donkeys,
their hooves curved like the back-end of a hammer
and a mare as sullen and silent as a full moon.
Her eyes casting curiosity coyed
behind a silver mane.
The gnarl and nip of hawthorns hiss-per ‘stay away’
and blackberries gush from their prickly seductress bush to
tempt you
back again.

Our laughter skips and we are shadowless.
Pixie petals mock the sturdy wirework of marran weave with
their savage untamed frivolity.
Their hues hum mischief merrily.
Each graze of you
each embrace echoes back a craving to buried
under warm, wide, flat stones.

Or to be submerged
in the boggy water
to sink my skin
until cured in dark ancient remedies
tattooed with the indifference of skyless centuries.

With one foot soaked to the shin
and my misted crown cradled
between your shoulder and chin,
I can see them bend the whip of westerly gusts.
There are two worlds we roam
you and I,
we and us,
not simply because we want to
no,
because long ago
we were told to listen
to the voices across the limen
and that is why we hear them
when they call to us.

/

I am the child disorganized
A duality of being,
a dichotomy of lives
in a dialogue of truthful lies
I am sexless as she and fertile as death
fecund as decay and as withering as blossom
I am
incompatible with myself
a shadow cast by no one
one life lived in plural
a collection of nothing
I am content and awed, isolated and appalled
tooth tail and claw, tongue flicker eye roll rib raising sigh moan and squall

.

I am here for the taking,
yet intangible,
even my matter avoids grasp, not least my meaning
I am lonely, spine-cradle-less, unsupported
yet suspended by tendrils of hope and growth
a star burst in the canopy.

A Passage Psalm

There is nothing in this that cannot be languid, long.
Juniper limey twist,
the softness of f’s and s’ on your tongue and the
oh bone e oh setting, the muscle stretching the lid settling
Nature of your balm
On afternoons that grow like calendula,
It’s own root
Strong by the virtue of subtlety.

There is a hushing lap on the shore of your twin spheres of
ancient lakes straddling unity and circling a vast unknown familiarity that waxes and wanes
Two black moons in the orbital romance of a
great blue green shale psyche
Shine back at me

 

In your chest and arms
on dappled days the watercolours of light play
Across your face
I see no shadows chase
But an iridescent concupiscence
that lingers on my eyelids and i feel it at the stems
and hems of my hairs and skirt grazing fingertips
crowned in ivy at the flurry of the coronations.
We have plucked out all the thorns.

In the quiet between the druidic moon and milkmaid dawn
our limbs and fingers spill unbound
from their clutch of thumbs and awkward elbows
to irrigate the groves of grooves
on marbled skins.
Cool the igneous memories, the great cracks and mottle of things.
The volcanic birth that marks me

 

We cast threads of our dreamings,
spools through the illusory,
to navigate the labyrinthine haze
of things we never agreed to believe
until we breach back down into

Endless
Nourishing
Earth

our tap root fingers,
deep, thirsty and knuckled
as the roots of Indian teak.

 

You speak
silly soft and magic
hold me to your rhythm
skin taught across the hollow
at the strike of which all things begin.
I want to hear you knock
at my gate
and ask me out to play.

In this dreaming we are tunnelers through worlds
witching hour wakeful
slaking a curiosity of self and shadow
dancing past the threshold
enchanted by a passage
that circumvents the tomb.

 

And on the gaps in difficult days where the sun through the grass splits rays
you refract all the artifice of life
until you are an architect of light
beaming better ways
prismic and primrosen as the glance of white sun on a horizon.

We both can remember how

I told you that I love you
long before
we ever
even

kissed.